712 Free Artworks of Color Aquatint With Hand Coloring

aquatint prints in the yale center for british arthand-coloredyale center for british artromanticismthomas rowlandsonhand-colored etching and aquatintprints in the national gallery of art (washington, d.c.)national gallery of artmetropolitan museum of artprints by thomas rowlandson in the metropolitan museum of art
The High-Mettled Racer, Samuel William Fores, 20 July 1789
the elisha whittelsey collectionsamuel william fores
Alessandro Sanquirico - Interno del Santuario (set design for the opera 'Semiramide' by Rossini, La Scala, 1824) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Noël Paymal Lerebours 01 Orange, 1842
19th-century etchingsnoël paymal lerebours
Botheration, Thomas Rowlandson, 1793
prints in the national gallery of art (washington, d.c.)romanticism
Meeting in Freemasons' Hall, Great Queen Street, London, Thomas Rowlandson, 1800–1820
prints by thomas rowlandson in the metropolitan museum of artromanticism
Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90
william holland (publisher)romanticism
Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
La Rose mal defendue (The Poorly Defended Rose), Philibert-Louis Debucourt, in or after 1791
prints in the national gallery of art (washington, d.c.)works after philibert-louis debucourt
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight", James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken
aquatint prints in the yale center for british arthenry thomas alken
Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Racing [set of four]: The High Mettled Racer. 1. The Racehorse, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken
aquatint prints in the yale center for british arthenry thomas alken
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
The Enterprize Steam Vessel, passing through Madras Roads, Theodore Henry Adolphus Fielding, 1825
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
Chelsea Palaces, in Scarab, Grecian Key and Fly Pattern Mount, Théodore Roussel, 1899
the elisha whittelsey collectionthéodore roussel
West Point, from Phillipstown, William James Bennett, published 1831
prints in the national gallery of art (washington, d.c.)william james bennett
Villa, Gabriel Lory, 1811
prints in the national gallery of art (washington, d.c.)aquatint prints
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820
aquatint prints in the yale center for british artisaac robert cruikshank
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805
aquatint prints in the yale center for british artjames gillray
Two of a set of six: 2. Wood-Cock Shooting., Robert Dodd, 1790
aquatint prints in the yale center for british artrobert dodd
London Docks: 6 Views: New Dock, Wapping, 1803, William Daniell, 1808
aquatint prints in the yale center for british artwilliam daniell
Niagara Falls from Foot of Staircase, William James Bennett, 1829
prints in the national gallery of art (washington, d.c.)john hill (artist)
Copenhagen Cathedral Fire (1807) - *Our Lady Tower*, Gerhard Ludvig Lahde, circa 1807
history paintings by christoffer wilhelm eckersberggerhard ludvig lahde
The Overdrove Ox, Thomas Rowlandson, 1787
prints in the national gallery of art (washington, d.c.)romanticism
Mr. Bullock's Exhibition of Laplanders, Thomas Rowlandson
prints in the national gallery of art (washington, d.c.)romanticism
A Penny Barber, Thomas Rowlandson, 1789
prints in the national gallery of art (washington, d.c.)romanticism
Rustic Courtship, Thomas Rowlandson, 1785
prints in the national gallery of art (washington, d.c.)romanticism
Bookseller and Author, Thomas Rowlandson, 1784
prints in the national gallery of art (washington, d.c.)romanticism
Grog on Board, Thomas Rowlandson, 1789
prints in the national gallery of art (washington, d.c.)romanticism
Astley's Amphitheatre, Thomas Rowlandson, 1 January 1808
prints by thomas rowlandson in the metropolitan museum of artromanticism
Dinner in Celebration of the Emancipation of Holland from France, City of London Tavern, Bishopsgate, December 14, 1813, Thomas Rowlandson, 1814
prints by thomas rowlandson in the metropolitan museum of artromanticism
French Barracks, Thomas Malton, 12 August 1791
samuel william foresthomas malton
Salt Water and Fresh Water, Thomas Rowlandson, 25 March 1800
satirical art worksromanticism
The banjo lesson, Mary Cassatt, 1893
fine prints in the library of congressimpressionism
Comforts of Bath, Plate 5, Thomas Rowlandson, 6 January 1798
samuel william foresromanticism
The High-Mettled Racer, John Hassell, between 1789 and 1812
the elisha whittelsey collectionjohn hassell (artist)
'Kerbo, fra vejen mellem Bragnæs og Christiania', Heinrich August Grosch
prints by heinrich august grosch in the statens museum for kunsthand colored aquatint
The Course, Thomas Rowlandson, probably 1789
prints in the national gallery of art (washington, d.c.)romanticism
Four O'Clock in Town, Thomas Rowlandson, 1788
prints in the national gallery of art (washington, d.c.)romanticism
The Consultation, Thomas Rowlandson, published 1785
prints in the national gallery of art (washington, d.c.)romanticism
A Squall in Hyde Park, Thomas Rowlandson, 1791
prints in the national gallery of art (washington, d.c.)romanticism
Resurrection, or The Frighted Nurse, Thomas Rowlandson, 1784
prints in the national gallery of art (washington, d.c.)romanticism
Court of Exchequer, Westminster Hall (Microcosm of London, plate 25), Rudolph Ackermann, 1808
joseph constantine stadleraugustus charles pugin
Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
Lere vue d'Aigleville, Colonie du Texas ou Champ d'Aslie, Jean-François Garneray, circa 1830
aquatint prints in the yale center for british artjean-françois garneray
Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
Atrio di Notte (set design for the ballet 'Il Dedalo' by Salvatore Viganò (La Scala), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832, Charles Bentley
aquatint prints in the yale center for british artcharles bentley (painter)
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Place de Meir at Antwerp, Thomas Rowlandson, 1797
prints in the national gallery of art (washington, d.c.)romanticism
A Bawd on Her Last Legs, Thomas Rowlandson, 1792
prints in the national gallery of art (washington, d.c.)romanticism
Cattle Not Insurable, Thomas Rowlandson, published 1809
prints in the national gallery of art (washington, d.c.)romanticism
Special Pleading, Thomas Rowlandson, March 1780
satirical art worksromanticism
Alessandro Sanquirico - Prigione sotterranea (set design for opera 'Ciro in Babilonia' by Rossini - Milan, 1818) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Triumph of Hypocrisy, Thomas Rowlandson, 11 January 1787
samuel collingsromanticism
Alessandro Sanquirico - Sotterraneo (set design for opera 'Elisa e Claudio' by Saverio Mercadante, 1821) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoelisa e claudio
'Christiansborg, a Danish Settlement on the Gold Coast, Africa', John Hill, 1806
prints by john hill (artist) in the statens museum for kunsthand colored aquatint
The Consultation, Thomas Rowlandson, September 1785
samuel alkenromanticism
Courtship in High Life, Thomas Rowlandson, 15 December 1785
georgiana cavendish, duchess of devonshireromanticism
Sadlers Flying Artillery, Thomas Rowlandson, 3 September 1798
the elisha whittelsey collectionromanticism
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